Search results for "Graphic design"
showing 10 items of 51 documents
Guardare in due direzioni diverse
2017
Aiap Design Per, International Graphic Design Week è la grande manifestazione itinerante curata da Aiap, Associazione italiana design della comunicazione visiva*, che nella settima edizione, dopo essersi svolta a Napoli, Bologna, Cagliari, Treviso, Genova e Milano, approda a Roma dove continua a mostrare le sue peculiarità, che si affrontano come in un rinnovato ma pacato duello. Aiap Design Per, International Graphic Design Week – this year at the 7th edition – is the major travelling event organised by Aiap, Italian Association of Visual communication Design* which, after Naples, Bologna, Cagliari, Treviso, Genoa and Milan, finally reaches Rome with all its peculiarities, which confront o…
Alessandro Costariol. 永远的视觉设计师 / Alessandro Costariol. Remote future visual designer
2010
永远的视觉设计师 如果用一个词来简洁鲜明的概括一个人的话，我认 为永恒一词是最佳选择。这个词是个近代词汇， 始创于20世纪，表达出一种时代特性。在逻辑学 和语言学领域重复出现。它标志着客体和时间连 续性的中断。并赋予客体以特权， 跨越时间的限 制，忽略时间发展的顺序和速度，使客体处于一种 独立的暂停状态。永恒所表达的含义如同一个现代 人穿了一件古时的衣服，这种古时和现代的不同风 格常常冲突不断，就像一道糖醋口味的菜肴中，一 个口味偏咸的人却意外的品尝到了甜味。 If you could define a person with only one term, to have a concise, sharp and lapidary picture of him, then I think the word I'd choose to refer to Alessandro Costariol, is timeless. This is a rather recent term, coined in the twentieth century, expression of contemporaneity, recurrent in the philosophical and linguistic fields, which marks a break in continuity between object and time, giving the first a privileged status that allows it to cross the second, ign…
TREŚĆ I FORMA OPRACOWAŃ GRAFICZNYCH W MIEJSCOWYM PLANOWANIU PRZESTRZENNYM W KONTEKŚCIE ROZWOJU TECHNOLOGII GEOINFORMATYCZNYCH
2018
Spatial planning concerns activities that have a mapping in space, therefore graphic design is an indispensable part of planning documents. Their content and form change along with the changes in legal regulations and the development of technology. In the article, the author presents how the planning drawings made in the local planning changed in the post-war period, and indicates how they should be prepared at present, taking into account the current legal requirements and technological possibilities.
Così vicina così lontana, New Graphic Design in Cina
2009
Per molti la Cina è un paese davvero sconosciuto, imperscrutabile, di difficile comprensione, così come i suoi abitanti, disseminati con numeri quasi impronunciabili su un territorio talmente vasto che è persino difficile da immaginare. Sconosciuto e affascinante, di cui vorremmo comprenderne meglio la cultura, ma la cui lingua è per molti un ostacolo invalicabile da superare, così come l’inglese per la maggior parte dei cinesi. C’è un campo però in cui le parole assumono il valore di immagine e le immagini quello di parole di più facile comprensione perché slegate, seppur non completamente, da uno specifico sistema linguistico e culturale. È il settore del graphic design, una disciplina pr…
Drawing and the non-verbal mind: A Life-Span Perspective
2008
1. Contemporary enquiries into a long-standing domain: drawing research Chris Lange-Kuttner and Annie Vinter Part I. Self, Symbols and Intention: 2. Understanding reflections of self and other objects Kim Bard 3. Drawing production, drawing re-experience and drawing re-cognition Josephine Ross 4. Style and other factors affecting children's recognition of their own drawings Robin N. Campbell, Pauline A. Duncan, Anita L. Harrison and Lynne C. Mathewson 5. Children's understanding of the dual nature of pictures Richard Jolley 6. Pictorial intention, action and interpretation Norman H. Freeman and Esther Adi-Japha Part II. Syntax, Space Systems and Projection: 7. The interaction of biomechanic…
¿Qué pueden aportar las ciencias de la visión al diseño gráfico?
2020
[ES] El diseño gráfico es importante y necesario en el mundo de hoy porque la vista es la principal forma de adquisición de información. Por lo tanto, es lógico pensar que las ciencias de la visión pueden ayudar en la toma de decisiones a nivel de diseño. Comprender conceptos como la agudeza visual, la sensibilidad al contraste, entre otros, contribuirá a optimizar la legibilidad del texto a través de una selección óptima de parámetros tipográficos para formatos impresos y digitales. Además, entender el efecto de las diferentes alteraciones en la visión del color mejorará la accesibilidad del diseño.
Diseño gráfico para formar al profesorado de primaria
2021
Educar en diseño es probablemente la base para una predisposición social hacia la creatividad y la innovación. Presentamos los resultados de una investigación desarrollada en la práctica universitaria, formulada metodológicamente como estudio de caso. Incorporamos la práctica del diseño gráfico al currículum formativo de Maestro/a en Educación Primaria. Si queremos que la ciudadanía aprecie el diseño, conviene preparar al profesorado. Para lograr este acercamiento al diseño gráfico planteamos un taller en el que cada participante elabora su propio exlibris. Los resultados positivos nos animan a continuar con este tipo de iniciativas que aglutinan diseño, patrimonio, identidad e inclusión. E…
THE IMPORTANCE OF THE PARADIGM SHIFT IN THE DEVELOPMENT OF DESIGN INDUSTRY AND DESIGN EDUCATION
2015
Literature about design development and the current situation of the essence of trends in this field allow for the defining of design as an independent branch. Analysis of design and education regulations highlights the conflict between reality and gaps that exist in European statistical standards and International Standard Classification of Education. The purpose of this study is to explore complex problems in the field of design and design education which determines the need for Paradigm Shift for further development of these branches, as well as to present proposals for definitions of key terms of design and offer proposals for a new design education classification. This research will sh…
DESIGN PER. Time for conclusions / DESIGN PER. Un bilancio
2009
Una settimana, quella internazionale dedicata al design ideata e prodotta dall'Aiap, in cui Napoli, dal 6 all'u ottobre, si è posta come capitale europea del design grafico, accogliendo generosamente i numerosi ospiti e quanti sono anivati in città per seguire tutti gli incontri organizzati per la fitta manifestazione, in cui si sono avvicendati dal mattino sino a sera inoltrata, seminari, workshop, conferenze, tavole rotonde, mostre, open studios, incontri. La manifestazione, la cui insolita struttura ricorda le Design week che si avvicendano in ogni città d'Europa, ha rivolto più sguardi incrociati e molteplici sulla contemporaneità senza tralasciare però quanto appartiene al recente pass…
NEW IRANIAN GRAPHIC DESIGN'S IDENTITY THROUGH THE UNITY AND THE MULTIPLICITY
2008
The meaning of the term progettare (to design) comes from the Latin projectare, to cast forward, and as an arrow must be drawn back with effort to be shot from a bow, analogously there exists in design two essential moments, the link with the past and the projection into the future. This is particularly true for Iranian graphics that sinks its strong roots into a terrain constituted by a long tradition of typography and by an equally important and ancient calligraphic tradition that moves sinuously along the curved lines of Farsi characters that compose the alphabet of the official Persian language.